The Visualisation and Making of Sculpture and its Potential Implications for Computer Interfaces and Three-dimensional Modelling

The deep tacit knowledge of material, tool and creative process, developed over many years of professional practice as a sculptor or applied artist is examined and outlines of an analysis of ‘sensory feedback loops’ present in a specific making process are described. The significance and role of the sense of touch within the development of ‘making’ skill is discussed in relation to ‘embodiment’ (or transparency) in processes involving both real and virtual, tools and materials. Conclusions are related to the humancomputer interface and specifically concern the role of haptic and other sensory feedback in the visualisation and creation of three-dimensional virtual objects. A progressive staged model of this is described in relation to the Artist/Craftsperson(‘maker’).